In need of a Cup of Tea or a nap

uselessnocturnal:

Anonymous asked:

if you dislike your art that much why do you keep making it?

skunkes:

hope this helps

tacosinspace:

aspiringwarriorlibrarian:

There should totally be a movement called “Sleep in Public” where people defend their right to sleep on public property. Sleep in your cars. Sleep on benches. Sleep at the park. Just make it a mundane and regular part of life to see someone napping in the library. It would make it much harder to single out the homeless for harassment if everyone else is doing the same thing and much harder to argue that it’s a “threat to public safety” when it’s so clearly harmless.

animations-daily:

Shrek 2 (2004) dir. Andrew Adamson, Conrad Vernon and Kelly Asbury

(via ashwilliamsrighthand)

verylostpenguin:

verylostpenguin:

It’s my grandpa’s birthday next week and he said “I don’t want to be 85” and my grandmother, his wife of 59 and a half years, said “well your only alternative is to die”, I can’t believe how affectionate they are

I was having lunch with them today and my grandpa started throwing napkins at my grandmother, and she balled it up and looked all set to throw it back but then she put it down and said “I will not throw it because I was brought up properly, you were dragged” she has spent ¾ of her life with this man

(via hoggmen)

blacklightsandqueens:

cheeseanonioncrisps:

“A kiss may be grand, but it won’t pay the rental, on your humble flat, or help you at the automat.”

Like literally the most famous song about how much girls love jewellry is just explaining the importance of getting jewellry for when your partner leaves you penniless and alone.

The founder of Girl Scouting in the US, Juliette Gordon Low, funded her first troop by selling her pearl necklace, which was her only belonging after her husband died and left everything to his mistress.

She founded Girl Scouts to teach girls self-sufficiency so they wouldn’t have to go through what she went through when her husband died and she didn’t know how to take care of herself.

(via loonylunalovegood97)

unapologeticexistence:

zainazahira:

universalequalityisinevitable:

Peter Joseph on structural violence, from this video.

Brilliant

Spot on. Like Coretta Scott King said, I must remind you that starving a child is violence. Neglecting school children is violence. Punishing a mother and her family is violence. Discrimination against a working man is violence. Ghetto housing is violence. Ignoring medical need is violence. Contempt for poverty is violence.

(via alxandersharp)

rionsanura:

a-book-of-creatures:

ponqo:

beardbriarandrose:

Sir Edward Burne-Jones, School For Dragon Babies, 1884, pencil on paper

i can’t believe you posted this without posting the sequel!

It gets better and better

Oh my god. This is the same Sir Edward Burne-Jones, the famous Pre-Raphaelite painter who in the extra-dramatic BBC series about them, was played by Peter Sandys-Clarke, whose oeuvre is more usually represented by this kind of stuff:

It’s that Sir Edward Burne-Jones. Who drew all the dragonbabies at school. I’m.

(via vide0-nasties)

semusepsu:

badgrapple-deactivated20220614:

Christians will see you struggling emotionally and be like “nows my chance!”

(via kirbyfullyloded)

immopengu:

weasowl:

imfemalewarrior:

thelamprey:

sizvideos:

A man has built Ogo, a hands-free wheelchair for his paraplegic friend (video)

Holy shit this is awesome.

For any wheelchair users following me! 

-FemaleWarrior, She/They 

every few months I forget about this and then see it again and it is always one of the coolest things I’ve ever seen.

So this time I looked it up, I wondered how to get one and how much it cost. Turns out  it was a bit hard to find, actually, and that’s because it’s no longer called the Ogo, it’s called the Omeo.

They are pretty advanced as a product now, in terms of accessories, color options, etc (they have an off road conversion kit and stuff!). They are kind of expensive, tho not necessarily when compared to other wheel chairs, which cost anywhere from a couple hundred bucks for a shitty one, to like 4k for a high end electric one. An Omeo will cost you just under 2k.

Here is their website, if you want to learn more: https://omeotechnology.com/

ONE MORE TIME FOR ALL MY WHEELCHAIR USERS!!!!

(via imthedoctortobiasfunke)

tealesbian:

the only people who talk like this are lesbians

(via johntheroadagain)

swords-n-spindles:

the-fibre-stuff:

moiraecrochet:

synebluetoo:

costumersupportdept:

butts-for-days:

dollsahoy:

isnerdy:

rolypolywardrobe:

systlin:

darkersolstice:

max-vandenburg:

eldritchscholar:

So the other night during D&D, I had the sudden thoughts that:

1) Binary files are 1s and 0s

2) Knitting has knit stitches and purl stitches

You could represent binary data in knitting, as a pattern of knits and purls…

You can knit Doom.

However, after crunching some more numbers:

The compressed Doom installer binary is 2.93 MB. Assuming you are using sock weight yarn, with 7 stitches per inch, results in knitted doom being…

3322 square feet

Factoring it out…302 people, each knitting a relatively reasonable 11 square feet, could knit Doom.

Hi fun fact!!

The idea of a “binary code” was originally developed in the textile industry in pretty much this exact form. Remember punch cards? Probably not! They were a precursor to the floppy disc, and were used to store information in the same sort of binary code that we still use:

Here’s Mary Jackson (c.late 1950s) at a computer. If you look closely in the yellow box, you’ll see a stack of blank punch cards that she will use to store her calculations.

This is what a card might look like once punched. Note that the written numbers on the card are for human reference, and not understood by the computer. 

But what does it have to do with textiles? Almost exactly what OP suggested. Now even though machine knitting is old as balls, I feel that there are few people outside of the industry or craft communities who have ever seen a knitting machine. 

Here’s a flatbed knitting machine (as opposed to a round or tube machine), which honestly looks pretty damn similar to the ones that were first invented in the sixteenth century, and here’s a nice little diagram explaining how it works:

But what if you don’t just want a plain stocking stitch sweater? What if you want a multi-color design, or lace, or the like? You can quite easily add in another color and integrate it into your design, but for, say, a consistent intarsia (two-color repeating pattern), human error is too likely. Plus, it takes too long for a knitter in an industrial setting. This is where the binary comes in!

Here’s an intarsia swatch I made in my knitwear class last year. As you can see, the front of the swatch is the inverse of the back. When knitting this, I put a punch card in the reader,

and as you can see, the holes (or 0′s) told the machine not to knit the ground color (1′s) and the machine was set up in such a way that the second color would come through when the first color was told not to knit.

tl;dr the textiles industry is more important than people give it credit for, and I would suggest using a machine if you were going to try to knit almost 3 megabytes of information.

@we-are-threadmage

Someone port Doom to a blanket

I really love tumblr for this 🙌

It goes beyond this.  Every computer out there has memory.  The kind of memory you might call RAM.  The earliest kind of memory was magnetic core memory.  It looked like this:

Wires going through magnets.  This is how all of the important early digital computers stored information temporarily.  Each magnetic core could store a single bit - a 0 or a 1.  Here’s a picture of a variation of this, called rope core memory, from one NASA’s Apollo guidance computers:

You may think this looks incredibly handmade, and that’s because it is.  But these are also extreme close-ups.  Here’s the scale of the individual cores:

The only people who had the skills necessary to thread all of these cores precisely enough were textile and garment workers.  Little old ladies would literally thread the wires by hand.

And thanks to them, we were able to land on the moon.  This is also why memory in early computers was so expensive.  It had to be hand-crafted, and took a lot of time.

(little old ladies sewed the space suits, too)

Fun fact: one nickname for it was LOL Memory, for “little old lady memory.”

I mean let’s also touch on the Jacquard Loom, if you want to get all Textiles In Sciencey. It was officially created in 1801 or 1804 depending on who you ask (although you can see it in proto-form as early as 1725) and used a literal chain of punch cards to tell the loom which warps to raise on hooks before passing the weft through. It replaced the “weaver yelling at Draw Boy” technique, in which the weaver would call to the kid manning the heddles “raise these and these, lower these!” and hope that he got it right. 

With a Jacquard loom instead of painstakingly picking up every little thread by hand to weave in a pattern, which is what folks used to do for brocades in Ye Olde Times, this basically automated that. Essentially all you have to do to weave here is advance the punch cards and throw the shuttle. SO EASY. 

ALSO, it’s not just “little old ladies sewed the first spacesuits,” it’s “the women from the Playtex Corp were the only ones who could sew within the tolerances needed.” Yes, THAT Playtex Corp, the one who makes bras. Bra-makers sent us to the moon. 

And the cool thing with them was that they did it all WITHOUT PINS, WITHOUT SEAM RIPPING and in ONE TRY. You couldn’t use pins or re-sew seams because the spacesuits had to be airtight, so any additional holes in them were NO GOOD. They were also sewing to some STUPID tight tolerances-in our costume shop if you’re within an eighth of an inch of being on the line, you’re usually good. The Playtex ladies were working on tolerances of 1/32nd of an inch. 1/32nd. AND IN 21 LAYERS OF FABRIC. 

The women who made the spacesuits were BADASSES. (and yes, I’ve tried to get Space-X to hire me more than once. They don’t seem interested these days)

This is fascinating. I knew there was a correlation between binary and weaving but this just takes it to a whole nother level. 

I’m in Venice, Italy several times a year (lucky me!) and last year I went on a private tour of the Luigi Bevilacqua factory.

Founded in 1875, they still use their original jacquard looms to hand make velvet.

Here are the looms:

Here are the punch cards:

Some of these looms take up to 1600 spools. That is necessary to make their many different patterns. 

Here are some patterns:

How many punchcards per pattern?

 This many:

Modern computing owes its very life to textiles - And to women. From antiquity weaving has been the domain of women. Sure, we remember Ada Lovelace and Hedy Lamarr, but while Joseph Marie Jacquard gets all the credit for his loom, the operators and designers were for the most part women.

I’ve seen this cross my dash a few times, but I’ve never watched the video before. Maybe I just didn’t pay attention when I was a kid, but I don’t remember ever seeing just how the Jacquard loom works. I just knew that the punch cards controlled which threads were raised. It’s cool to see the how, not just the what.

Don’t hide this in the tags, @drylime :D

(via is-it-written-in-the-stars)

zvaigzdelasas:

bogleech:

thesweetscentofbooks:

Like several other countries, masks should have been considered common courtesy here for even every last cold bug.

Watching millions of pacific asian ppl wear masks during flu season & thinking ‘but we don’t have any reason to do that in the west’ is like the definition of western chauvinism

(via ogdit)